♪I am a man who walks alone And when I'm walking a dark road At night or strolling through the park When the light begins to change I sometimes feel a little strange A little anxious when it's dark... |
Enjoyably ripped off by Sam Raimi, the original Night of the Demon is a much more atmospheric, thoughtful affair, only slightly diminished by the fact that every image of it you have ever seen shows the fucking demon in its full climactic closeup, which effectively undermines its artfully sparing usage in the film itself. In my customary three minutes' research, I read that the demon wasn't to be shown at all but that the popularity of then-recent smash hit Godzilla made giant monsters too marketable to play down. But even granting that concession to the bottom line, Night is a subtler, smarter horrorkino than we've seen in decades, even if it did give us the creepy-clown cliché long since beaten to death.
Someone Or Other plays Some Guy, a fedora chudjak who thinks demonology is le silly superstition and is enlightened by his own intelligence. Over the course of the kino, his blind faith in blind faithlessness is worn down from the bailey of r/atheism bluster to the more defensible motte of agnostic cope.
All hero protagonists are chudjak-coded (no-fun stick-up-the-ass types) and all villains are soyjak-coded (overly theatrical balding beardos). Joseph Campbell talks about this (probably, idk). |
In this scene, the movie subtly foreshadows impending doom by having the woman drive. |
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